I was recently interviewed by a small UK publication called the Beat Scene. The publisher was interested in my research on Bea Franco and so he asked me a few questions, and I believe the article was just published in the latest print issue. If you’re interested in reading the full article, click here. Before you read it though, it might be worth noting that in the last paragraph he had written “So let us hope that this book does make it into print.” While I don’t make it a practice to correct reporters, especially ones who are promoting my work, I’m not exactly sure why he wrote that. Especially since the book, as he states in the very next sentence, will be published this fall. For this reason alone I blackened that line out.
Also, I’ve recently been approached by a few reporters and other folks who have some interest in Bea Franco’s story as it relates to the Beats. One thing I feel I should make clear is that I am by no means a Beat scholar, nor has this ever been my intention. From the start of this project my focus has been on Bea Franco, her life, her story, and her point of view. I understand that her significance is tethered to Jack Kerouac, however, his side of the matter is out there, and has been for years. Above all else, this has been my only purpose, to get Bea Franco’s life story out into the world. This is precisely what I’m trying to convey in this recent video interview I did with Great Valley Stories as well. Click here if you’d like to see the interview.